b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Nemesis | Bildnis einer jungen Venezianerin | Head of an angel | St George on Horseback | Lobster |
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Matthaus Gunther
the most prolific fresco painter of the eight- eenth century in central Europe. German, 1705-1788 He was an important German painter and artist of the Baroque and Rococo era. Gunther helped develop the rococo style of painting in Bavaria and Tyrol, working on over 40 churches. His known work includes about 70 frescoes and 25 panels. In particular, he was known for his life-like imagery and lively coloring. Gunther studied in Munich from 1723 to 1728 with Cosmas Damian Asam, the older of the two Asam brothers, and perfected his fresco painting in Augsburg. He frequently worked with some of the greatest artists of his time, including the architect Johann Michael Fischer and the plasterer Johann Michael Feuchtmayer and his brother Franz Xaver.
Vigilius Eriksen
(b Copenhagen, 2 Sept 1722; d Copenhagen, 23 or 24 May 1783). Danish painter, active also in Russia. He was apprenticed to the portrait painter Johann Salomon Wahl in Copenhagen. In 1755 he competed unsuccessfully for the gold medal at the Royal Academy of Art in Copenhagen with a historical painting, Lot and his Wife (untraced). In a letter he complained that the rules did not allow him to enter a portrait, a genre more suited to his talents. Presumably in 1756 he completed the portraits of the registrar of the royal art collections, Lorenz Spengler and his Wife (Copenhagen, Stat. Mus. Kst).
Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..